Music Theory and Composition (BM)
Program Description
The Bachelor of Music Program in Music Theory and Composition combines a liberal arts education with coursework in music theory and composition to prepare students for a variety of careers in the music industry. Students are actively involved in the organization and performance of their own works, in concerts and readings by NYU performance groups in residence, in school performing ensembles, as well as in chamber groups specially hired for specific composition concerts. Through the weekly Composers Forum, students meet and work with composers and performers, prepare two student showcases per semester, and attend highlights in the New York City new music concert season.
Composition majors have many opportunities to collaborate with performers, dancers, actors, and multimedia applications, which include music technology, jazz studies, and instrumental and vocal performance programs, and to work with musicians and other artists from New York City.
Concentrations
The program offers three concentrations:
Concert Music
Students in this concentration take courses in orchestration and conducting, have multiple opportunities to have their concert works performed in concerts, residencies, and readings by NYU performance groups, and collaborate with performers, dancers, and actors.
Contemporary Songwriting and Production
Students in this concentration study the music industry and the craft of writing, producing, and recording songs, through intensive course work and collaboration with professional musicians. The concentration includes courses in songwriting history and criticism, studio production skills and techniques, and the business structure of the music industry. Students take private lessons, learn to use industry-standard music technology, and participate in the Songwriters Forum, a seminar geared toward developing the art and craft of writing popular songs.
Screen Scoring
This concentration is designed to provide the diverse knowledge necessary for working with visual media. Coursework and other activities focus on technology, composition, aesthetics, and historical approaches for music written for the screen.
Majors in Screen Scoring may consider a dual degree option which enables them to complete a master's degree in Music Theory and Composition: Screen Scoring. Interested students should consult with their advisor for more information.
Admissions
New York University's Office of Undergraduate Admissions supports the application process for all undergraduate programs at NYU. For additional information about undergraduate admissions, including application requirements, see How to Apply.
See How to Apply for admission requirements and instructions specific to each concentration:
Program Requirements
Concert Music
Course | Title | Credits |
---|---|---|
Liberal Arts Requirements | ||
Foreign Language | ||
Select four credits of a foreign language | 4 | |
Expository Writing | ||
EXPOS-UA 1 | Writing as Inquiry | 4 |
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
Foundations of Contemporary Culture | ||
Texts and Ideas | 4 | |
Cultures and Contexts | 4 | |
Foundations of Scientific Inquiry | ||
Quantitative Reasoning/Mathematics | 4 | |
Physical/Life Science/Societies and the Social Sciences | 4 | |
Other Liberal Arts Requirements | ||
MPATC-UE 1067 | Music History I | 2 |
MPATC-UE 1068 | Music History II: Baroque & Classical | 2 |
MPATC-UE 1077 | Music History III | 2 |
Select one additional Music History course by advisement | 2 | |
Unrestricted Liberal Arts Elective | ||
Select four credits of Unrestricted Liberal Arts Electives | 4 | |
Specialization Requirements | ||
Required Music Courses | ||
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPATC-UE 1321 | Aural Skills II: Tonal Harmony & Voice Leading | 1 |
MPATC-UE 1341 | Advanced Aural Skills: Chromatic Harmony | 1 |
MPATC-UE 1342 | Advanced Aural Skills: 20th and 21st Century | 1 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music 1 | 2 |
MPATC-UE 1311 | Theory & Practice II: Tonal Harmony & Voice Leading | 2 |
MPATC-UE 1331 | Advanced Theory & Practice: Chromatic Harmony & Form | 2 |
MPATC-UE 1332 | Advanced Theory & Practice: Post Tonal and Contemporary Music | 2 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
MPATC-UE 1092 | Junior Experience | 1 |
MPATC-UE 1192 | Music Composition Undergraduate Capstone | 1 |
Music Composition Specialization Courses | ||
MPAPS-UE 1261 | Percussion Practicum for Composition | 2 |
MPATC-UE 1021 | Composition (Private Lessons) 2 | 24 |
MPATC-UE 1088 | Orchestration I | 3 |
MPAMB-UE 100 | Business Structure of The Music Industry | 2 |
or MPATC-UE 1156 | Rights, Revenue & Relationships: Career-Building for Music Creators | |
MPATE-UE 1801 | Fundamentals of Music Technology | 2 |
Concert Music Concentration Courses | ||
MPATC-UE 1018 | 16th-Century Counterpoint | 2 |
or MPATC-UE 1019 | 18th-Century Counterpoint | |
MPATC-UE 1098 | Orchestration II | 3 |
MPATC-GE 2082 | Advanced Orchestration: Concert Music | 3 |
Seminar in Composition | 2 | |
MPATC-UE 1424 | Composer’s Forum (8 semesters for 1 credit) | 8 |
Unrestricted Electives | ||
Select 21 Unrestricted Elective credits | 21 | |
Additional Requirements | ||
SAHS-UE 1 | New Student Seminar | 0 |
Writing Proficiency Examination | ||
Total Credits | 128 |
- 1
Students are placed into this course through a placement exam. Students who do not place into this course will first enroll in MPATC-UE 1300 Music Fundamentals.
- 2
Students take this 3-credit course every semester for 8 semesters.
Contemporary Songwriting and Production
Course | Title | Credits |
---|---|---|
Liberal Arts Requirements | ||
Foreign Language | ||
Select four credits of a foreign language | 4 | |
Expository Writing | ||
EXPOS-UA 1 | Writing as Inquiry | 4 |
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
Foundations of Contemporary Culture | ||
Texts and Ideas | 4 | |
Cultures and Contexts | 4 | |
Foundations of Scientific Inquiry | ||
Quantitative Reasoning/Mathematics | 4 | |
Physical/Life Science/Societies and the Social Sciences | 4 | |
Other Liberal Arts Requirements | ||
MPATC-UE 1195 | Songwriting History and Criticism: 14 Songs I (14 Songs) | 2 |
MPATC-UE 1196 | Songwriting History and Criticism: 14 Songs II | 2 |
Select two additional music history courses by advisement | 4 | |
Unrestricted Liberal Arts Elective | ||
Select 4 Unrestricted Liberal Arts Elective credits | 4 | |
Specialization Requirements | ||
Required Music Courses | ||
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPATC-UE 1322 | Aural Skills II: Popular Music | 1 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music 1 | 2 |
MPATC-UE 1312 | Theory & Practice II: Popular Music | 2 |
MPATC-UE 1344 | Advanced Aural Skills: Popular Music Transcription | 1 |
MPAJZ-UE 1039 | Jazz Theory & Ear Training I | 2 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
MPATC-UE 1092 | Junior Experience | 1 |
Music Composition Specialization Courses | ||
MPATC-UE 1634 | Drums, Drum Machines and DAWs | 2 |
MPATC-UE 1021 | Composition (Private Lessons) 2 | 24 |
MPATC-UE 1088 | Orchestration I | 3 |
MPATC-UE 1156 | Rights, Revenue & Relationships: Career-Building for Music Creators | 2 |
MPATE-UE 1022 | Rcdg Tech for Non Majors | 3 |
Concentration in Contemporary Songwriting and Production | ||
MPATC-UE 1052 | Introduction to Songwriting | 2 |
MPATC-UE 1424 | Composer’s Forum (2 semesters for 1 credit) | 2 |
MPATC-UE 1190 | Songwriters Forum (2 semesters for 2 credits) | 4 |
MPATC-UE 1501 | Narrative and Theatrical Songwriting | 3 |
MPATC-GE 2637 | Production for Songwriters | 3 |
or MPATC-GE 2638 | Production for Producers | |
MPAVP-UE 1152 | Vocal Prod for Singers | 2 |
MPATC-UE 1049 | Contemporary Scoring: Creative & Technological Practices | 3 |
MPATC-UE xxxx By Advisement | 3 | |
Unrestricted Electives | ||
Select 20 elective credits. May include MPAMB-UE 1320 Music Business Internship for 1-6 credits. | 20 | |
Additional Requirements | ||
SAHS-UE 1 | New Student Seminar | 0 |
Writing Proficiency Examination | ||
Total Credits | 128 |
- 1
Students are placed into this course through a placement exam. Students who do not place into this course will first enroll in MPATC-UE 1300 Music Fundamentals.
- 2
Students take this 3-credit course every semester for 8 semesters.
Screen Scoring
Course | Title | Credits |
---|---|---|
Liberal Arts Requirements | ||
Foreign Language | ||
Select four credits of a foreign language | 4 | |
Expository Writing | ||
EXPOS-UA 1 | Writing as Inquiry | 4 |
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
Foundations of Contemporary Culture | ||
Texts and Ideas | 4 | |
Cultures and Contexts | 4 | |
Foundations of Scientific Inquiry | ||
Quantitative Reasoning/Mathematics/Computer Science | 4 | |
Physical/Life Science/Societies and Social Sciences | 4 | |
Other Liberal Arts Requirements | ||
MPATC-UE 1500 | Film Music: Historical Aesthetics/Perspectives | 2 |
Select 6 credits from the following by advisement: | 6 | |
Music History I | ||
Music History II: Baroque & Classical | ||
Music History III | ||
Music History IV: Twentieth Century | ||
Songwriting History and Criticism: 14 Songs I (14 Songs) | ||
Songwriting History and Criticism: 14 Songs II | ||
Music Theatre Hist I | ||
Music Theatre Hist II | ||
Jazz music history course by advisement | ||
Global Soundscapes: A Survey of Musical Traditions | ||
Jazz History | ||
Unrestricted Liberal Arts Elective | ||
Select 4 Unrestricted Liberal Arts Elective credits | 4 | |
Specialization Requirements | ||
Required Music Courses | ||
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPATC-UE 1321 | Aural Skills II: Tonal Harmony & Voice Leading | 1 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music 1 | 2 |
MPATC-UE 1311 | Theory & Practice II: Tonal Harmony & Voice Leading | 2 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
Advanced Aural Skills | 1 | |
MPATC-UE 1333 | Advanced Theory & Practice: Non-Western Music | 2 |
or MPAJZ-UE 1039 | Jazz Theory & Ear Training I | |
Screen Scoring Specialization Courses | ||
8 semesters of a combination of the following 1 credit courses, by advisement: | 8 | |
Composer’s Forum | ||
MIDI and DAW Production Studio | ||
MPATC-UE 1247 | Screen Scoring Foundations: Harmony and Narrative | 3 |
MPATC-UE 1021 | Composition (Private Lessons) 2 | 24 |
MPATE-UE 1801 | Fundamentals of Music Technology | 2 |
MPAMB-UE 100 | Business Structure of The Music Industry | 2 |
or MPATC-UE 1156 | Rights, Revenue & Relationships: Career-Building for Music Creators | |
MPAPS-UE 1261 | Percussion Practicum for Composition | 2 |
MPATC-UE 1088 | Orchestration I | 3 |
MPATC-UE 1098 | Orchestration II | 3 |
MPATC-GE 2081 | Advanced Orchestration: Screen Scoring | 3 |
MPATC-UE 1049 | Contemporary Scoring: Creative & Technological Practices | 3 |
MPATC-UE 1248 | Composing for Film and Multimedia | 3 |
MPATC-GE 2555 | Music Editing for Screen Music | 3 |
MPATC-UE 1192 | Music Composition Undergraduate Capstone | 1 |
MPATC-UE 1092 | Junior Experience | 1 |
Unrestricted Electives | ||
Select 16 Unrestricted Elective credits. May include MPAMB-UE 1320 Music Business Internship for 1-6 credits. | 16 | |
Additional Requirements | ||
SAHS-UE 1 | New Student Seminar | 0 |
Writing Proficiency Examination | ||
Total Credits | 128 |
- 1
Students are placed into this course through a placement exam. Students who do not place into this course will first enroll in MPATC-UE 1300 Music Fundamentals.
- 2
Students take this 3-credit course every semester for 8 semesters,
Sample Plan of Study
Concert Music
1st Semester/Term | Credits | |
---|---|---|
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music | 2 |
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
EXPOS-UA 1 | Writing as Inquiry | 4 |
MPATE-UE 1801 | Fundamentals of Music Technology | 2 |
MPATC-GE 2429 | Music Notation | 1 |
Credits | 15 | |
2nd Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1088 | Orchestration I | 3 |
MPATC-UE 1311 | Theory & Practice II: Tonal Harmony & Voice Leading | 2 |
MPATC-UE 1321 | Aural Skills II: Tonal Harmony & Voice Leading | 1 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
MPAPS-UE 1261 | Percussion Practicum for Composition | 2 |
Credits | 17 | |
3rd Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1098 | Orchestration II | 3 |
MPATC-UE 1331 | Advanced Theory & Practice: Chromatic Harmony & Form | 2 |
MPATC-UE 1341 | Advanced Aural Skills: Chromatic Harmony | 1 |
MPATC-UE 1067 | Music History I | 2 |
Liberal Arts | 4 | |
Credits | 16 | |
4th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1068 | Music History II: Baroque & Classical | 2 |
MPATC-UE 1332 | Advanced Theory & Practice: Post Tonal and Contemporary Music | 2 |
MPATC-UE 1342 | Advanced Aural Skills: 20th and 21st Century | 1 |
MPATC-UE 1018 |
16th-Century Counterpoint or 18th-Century Counterpoint |
2 |
Liberal Arts course | 4 | |
Credits | 15 | |
5th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1092 | Junior Experience | 1 |
MPATC-UE 1112 | Advanced Orchestration: Concert Music | 3 |
MPATC-UE 1077 | Music History III | 2 |
Liberal Arts | 4 | |
Electives | 2 | |
Credits | 16 | |
6th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1078 | Music History IV: Twentieth Century | 2 |
Seminar in Composition | 2 | |
Liberal Arts | 4 | |
Electives | 4 | |
Credits | 16 | |
7th Semester/Term | ||
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1424 | Composer’s Forum | 1 |
Seminar in Music Theory | 3 | |
Liberal Arts Electives | 4 | |
MPATC-UE 1156 or MPAMB-UE 100 |
Rights, Revenue & Relationships: Career-Building for Music Creators or Business Structure of The Music Industry |
2 |
Electives | 5 | |
Credits | 18 | |
8th Semester/Term | ||
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1192 | Music Composition Undergraduate Capstone | 1 |
Electives | 10 | |
Credits | 15 | |
Total Credits | 128 |
Contemporary Songwriting and Production
1st Semester/Term | Credits | |
---|---|---|
EXPOS-UA 1 | Writing as Inquiry | 4 |
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music | 2 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
MPATE-UE 1801 | Fundamentals of Music Technology | 2 |
MPATC-UE 1052 | Introduction to Songwriting | 2 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
SAHS-UE 1 | New Student Seminar | 0 |
Credits | 15 | |
2nd Semester/Term | ||
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
MPATC-UE 1322 | Aural Skills II: Popular Music | 1 |
MPATC-UE 1312 | Theory & Practice II: Popular Music | 2 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
MPATC-UE 1049 | Contemporary Scoring: Creative & Technological Practices | 3 |
MPATC-UE 1190 | Songwriters Forum | 2 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Credits | 16 | |
3rd Semester/Term | ||
Texts and Ideas | 4 | |
MPATC-UE 1195 | Songwriting History and Criticism: 14 Songs I | 2 |
MPATC-UE 1344 | Advanced Aural Skills: Popular Music Transcription | 1 |
MPAJZ-UE 1039 | Jazz Theory & Ear Training I | 2 |
MPATC-UE 1634 | Drums, Drum Machines and DAWs | 2 |
MPATC-UE 1501 | Narrative and Theatrical Songwriting | 3 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Credits | 17 | |
4th Semester/Term | ||
Foreign Language | 4 | |
Cultures and Contexts | 4 | |
MPATC-UE 1196 | Songwriting History and Criticism: 14 Songs II | 2 |
MPATC-UE 1088 | Orchestration I | 3 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Credits | 16 | |
5th Semester/Term | ||
Quantitative Reasoning Mathematics | 4 | |
Music History Elective (by advisement) | 2 | |
MPATC-UE 1092 | Junior Experience | 1 |
MPATC-GE 2506 | Rights, Revenue & Relationships: What Music Creators Need to Know | 3 |
MPAJZ-UE 1119 | Jazz Arranging & Composition I | 3 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Credits | 16 | |
6th Semester/Term | ||
Physical/Life Sciences or Societies and Social Sciences | 4 | |
Music History Elective (by advisement) | 2 | |
MPATC-GE 2637 |
Production for Songwriters or Production for Producers |
3 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Unrestricted Electives | 4 | |
Credits | 16 | |
7th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1190 | Songwriters Forum | 2 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Unrestricted Liberal Arts Elective | 4 | |
Unrestricted Elective (by advisement) | 7 | |
Credits | 17 | |
8th Semester/Term | ||
MPATC-UE 1192 | Music Composition Undergraduate Capstone | 1 |
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
Unrestricted Elective (by advisement) | 10 | |
Credits | 15 | |
Total Credits | 128 |
Screen Scoring
1st Semester/Term | Credits | |
---|---|---|
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
EXPOS-UA 1 | Writing as Inquiry | 4 |
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1301 | Theory & Practice I: Global Approaches to Music | 2 |
MPATC-UE 1302 | Aural Skills I: Global Approaches to Music | 1 |
MPAPE-UE 72 | Keyboard Skills I | 1 |
MPATE-UE 1801 | Fundamentals of Music Technology | 2 |
MPAPS-UE 1261 | Percussion Practicum for Composition | 2 |
Credits | 16 | |
2nd Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1088 | Orchestration I | 3 |
MPATC-UE 1311 | Theory & Practice II: Tonal Harmony & Voice Leading | 2 |
MPATC-UE 1321 | Aural Skills II: Tonal Harmony & Voice Leading | 1 |
MPAPE-UE 73 | Keyboard Skills II | 1 |
ACE-UE 110 | Advanced College Essay: Educ & The Professions | 4 |
MPATC-UE 1049 | Contemporary Scoring: Creative & Technological Practices | 3 |
Credits | 18 | |
3rd Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1098 | Orchestration II | 3 |
Liberal Arts | 4 | |
MPATC-UE 1247 | Screen Scoring Foundations: Harmony and Narrative | 3 |
MPAMB-UE 100 | Business Structure of The Music Industry | 2 |
Credits | 16 | |
4th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1332 | Advanced Theory & Practice: Post Tonal and Contemporary Music | 2 |
MPATC-UE 1068 | Music History II: Baroque & Classical | 2 |
MPATC-UE 1342 | Advanced Aural Skills: 20th and 21st Century | 1 |
Liberal Arts course | 4 | |
MPATC-GE 2555 | Music Editing for Screen Music | 3 |
Credits | 16 | |
5th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1092 | Junior Experience | 1 |
MPATC-UE 1077 | Music History III | 2 |
Liberal Arts | 4 | |
Electives | 5 | |
Credits | 16 | |
6th Semester/Term | ||
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1078 | Music History IV: Twentieth Century | 2 |
Liberal Arts | 4 | |
MPATC-GE 2081 | Advanced Orchestration: Screen Scoring | 3 |
MPATC-UE 1248 | Composing for Film and Multimedia | 3 |
Credits | 16 | |
7th Semester/Term | ||
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1500 | Film Music: Historical Aesthetics/Perspectives | 2 |
Liberal Arts | 4 | |
Electives | 6 | |
Credits | 16 | |
8th Semester/Term | ||
MPATC-UE 1021 | Composition (Private Lessons) | 3 |
MPATC-UE 1424 | Composer’s Forum | 1 |
MPATC-UE 1192 | Music Composition Undergraduate Capstone | 1 |
Electives | 5 | |
Liberal Arts | 4 | |
Credits | 14 | |
Total Credits | 128 |
Learning Outcomes
Upon successful completion of the program, graduates will:
- Engage in a variety of collaborative environments.
- Develop foundational capacity as scholars and researchers.
- Apply their technical skills to future technology and music aesthetics.
- Be competent in navigating professional landscapes.
- Demonstrate proficiency in the aesthetics of music composition.
Policies
- Department Policies
- Academic Advisement
- Add/Drop
- Attendance
- Auditing
- Change of Major
- Double Major
- Incomplete Grades
- Independent Study
- International Students
- Mental Health and Wellness
- Minor in Music in Global Communities
- NYU Email
- Pass/Fail Grading Option
- Private Lessons
- Student Accessibility
- Study Away
- Technology in the Classroom
- Tutoring
- NYU Policies
- Steinhardt Academic Policies
Department Policies
Academic Advisement
Academic advisement is a shared responsibility. As a student, you will be responsible for making decisions about your academic, professional, and personal path. You will work in partnership with your assigned advisor(s) to develop an academic plan and a course of study in alignment with your career goals. In particular, you will:
- Understand the philosophy that guides the discipline/major
- Learn about degree requirements, including prerequisites, electives, and course sequencing
- Develop and maintain an academic plan that meets the requirements for the successful completion of the degree and maintenance of good academic standing
- Plan a program of study that integrates other academic options and opportunities (e.g. study abroad, honors courses, co-curricular and professional activities, minors, etc.)
- Be aware of and adhere to the policies, procedures, and deadlines that guide undergraduate study (e.g. drop/add, registration, pass/fail option, etc.)
- Initiate meetings and actively prepare for advising meetings by bringing a planned schedule and concerns and/or questions for discussion
- Be familiar with school/university student services and resources and actively seek assistance when needed
- Pursue professional development opportunities by engaging with faculty, alumni/alumnae, professional organizations, and career resources on campus
Engaging with the above responsibilities requires checking your NYU email on a regular (i.e. daily) basis and responding to emails from your advisor in a timely manner. Students who have questions about their academic plan or how courses are falling in their Degree Progress Report should contact their advisors as soon as these questions arise to seek clarification and updates, if needed.
Add/Drop
Registration changes, including credit changes, must be completed before the end of the add/drop period. These dates may be found on the academic calendar. After the add/drop period is over, students may not change the number of credits for which they are registered in a variable credit course. After the end of add/drop, students may not drop a course but must withdraw. Withdrawing from a course is indicated by a “W” on a student’s transcript.
Attendance
Attendance is mandatory for Departmental courses. All students are expected to attend class regularly and to actively participate in class activities. Students who must miss class are required to notify the instructor in advance via email, and are responsible for all material covered during the missed class meeting.
Our Department does not permit students to “zoom” into in-person courses if they are ill. If a student is unwell and unable to attend class, they will be marked as absent and are responsible for missed course material.
Religious observance, illness, and family emergencies are grounds for excused absences. If a student cannot attend class for any of the above reasons, they must email the instructor in advance, and all assignments must still be submitted within 24 hours of the due date. If the nature of the absence prevents a student from sending advance notice, they must communicate via email with the instructor as soon as possible for the absence to be excused.
If a student misses more than one week of class or has repeated absences during the term, the instructor will use NYU Connect to notify the student’s advisor about attendance concerns so that the advisor can provide appropriate support to the student. Repeated absences may have an impact on the student’s participation grade.
Auditing
The Department of Music and Performing Arts Professions does not permit students to audit courses. Students must be registered for the course in order to be able to attend the course.
Change of Major
- Interested students may apply for Fall or Spring change of major.
- Students may not apply for a change of major before their second semester of study.
- At latest, students may begin study at a new NYU school/program as a first-semester junior.
- For Music Programs: Students must have completed, or placed out of, Music Fundamentals. If students have completed Theory and Practice 1 and Aural Skills 1, they must have received a passing grade. (Educational Theatre students do not require Music Core courses.)
- Students wishing to transfer into Music Technology must take MPATE-UE 1801 and MPATE-UE 1037/1047 before applying.
- Students wishing to transfer to Music Business must take MPAMB-UE 100 before applying.
- Students must complete an online application, submit a statement of purpose (a rationale for their request no more than 350 words), and provide one letter of recommendation from a professor or advisor.
- Applications must be received by March 1 for Fall changes of major and November 1 for Spring changes of major. Programs that require auditions are: Instrumental Performance, Music Education, Vocal Performance. Programs that require portfolio review are Music Technology and Music Composition. Decisions will be made by April 15 for Fall changes of major, and December 15 for Spring change of major.
- Internal Steinhardt students who are not MPAP majors, before following the above process, must contact the program advisor for the program to which they plan to apply:
- Music Business: Brennan Stack
- Music Technology: Heather Hardy
- Instrumental Performance: Chris Bush
- Music Composition - Screen Scoring: Sergi Casanelles
- Music Composition - Songwriting: Phil Galdston
- Music Composition - Concert Composition: Robert Honstein
- Vocal Performance: Monique Henry
- Piano Studies: Manuel Laufer Fair
- Educational Theatre: Nan Smithner and Joe Salvatore
Double Major
- Students requesting a Double Major in Steinhardt must complete the Non-Primary (Double) Major Declaration form. Detailed instructions are listed on the form.
- Students who wish to declare a Double Major in an MPAP program must meet with the advisor of that program and also the advisor for their primary major to discuss possible course schedule options. The student must then meet with a program representative of the MPAP program of their non-primary major.
- You must declare a non-primary major during or prior to the spring term of your junior year before you complete 96 points towards your degree.
- You must declare a non-primary major in a field of study different from your primary major.
- If you are pursuing a non-primary major you may need to earn units in excess of your degree requirements.
- Please note that adding a non-primary major does not mean that you will receive two degrees. You will receive only one diploma printed with the school name and the academic department name of the primary major, not the name of the major itself.
- Both primary majors, non-primary majors and minors appear on the transcript.
Incomplete Grades
Students can request an incomplete grade only:
- If a student is matriculated under exceptional circumstances
- At the discretion of the instructor
- If the student has already completed 50% or more of the coursework required
- It is at least the 9th week of the term
Note that visiting and/or non-degree students may not apply for an incomplete.
The instructor will determine the timeframe the student will have to complete the work, but it cannot be later than the last day of classes in the following term. If the student does not complete the outstanding work by the agreed date, the incomplete grade (I) automatically turns to an F.
Incomplete grades may result in failure to meet satisfactory academic progress by the Office of Financial Aid. Students need to submit a signed Incomplete Grade Agreement to their advisor when an Incomplete Grade is assigned.
Independent Study
An Independent Study is designed by the student and sponsoring faculty to investigate an area or field of specialization not normally offered in scheduled course offerings. It is an opportunity to work one-on-one with a faculty member to complete directed reading, a creative project and/or supervised research. Students must consult with their advisors before undertaking an Independent Study to understand program-specific requirements and policies.
- Only full-time faculty may sponsor an Independent Study.
- Only matriculated students are eligible to complete an Independent Study. Independent Study carries 1 to 6 units. The number of units will be determined by the work to be completed and should be comparable in rigor to that of a classroom course.
- Minimum hours required per unit: 45 hours of work per credits per term
- Maximum credits allowed: As part of specialization: as determined by each department/program
- Total allowed
- For undergraduate students, a maximum of 6 units over the course of the undergraduate career
- For graduate students, the number of units will be specified by the program
- Cannot be used to satisfy liberal arts requirements
- Total allowed
- Registering for Independent Study: Students first meet with the academic advisors to determine if the student should undertake an Independent Study; they then meet with the sponsoring faculty to complete the NYU Steinhardt Independent Study form, obtaining the signatures of the sponsoring faculty member, the sponsoring faculty member’s department chair and the student’s advisor. Students should self-enroll in the course via Albert.
- Independent Study Title and Description: The title of an Independent Study will appear on the student transcript prefaced by the word “Independent Study”. The description of the Independent Study should include its theme which may be stated as a question or issue to be explored or creative technique to be examined; its type and scope, e.g. paper or special project. Students should use the Independent Study Form to have the correct title listed on their academic transcript. These forms should be submitted via email to: steinhardt.advisement.registration@nyu.edu.
International Students
International students should review information on the OGS webpage to understand their legal requirements. International students should make sure to register for full-time enrollment every fall and spring semester, and also not begin any work before receiving authorization. International Students are expected to work closely with their academic advisor to ensure that they are meeting their degree requirements. Any questions regarding immigration and visa support can be directed to the Office of Global Services.
Mental Health and Wellness
For students experiencing undue personal and/or academic stress during the semester that may be interfering with their ability to perform academically, the NYU Wellness Exchange (212 443 9999) offers a range of services to assist and support. The Wellness Exchange offers drop-in services on campus on a regular basis. Information may be found at https://www.nyu.edu/students/health-and-wellness/wellness-exchange.html.
Minor in Music in Global Communities
For the 2023-2024 academic year, any students who declared the previous MPAP music minor may permit the following exceptions in counting their courses towards the new minor curriculum: we will accept any previous Music Theory coursework towards the new minor’s theory requirements, and any other Steinhardt music classes for the music electives. These exceptions will not be permitted following the end of the Spring 2024 semester.
NYU Email
All student, faculty, and administrative communications must be done using NYU email addresses, not personal email addresses. Anyone who experiences issues with their NYU email may find more information here.
Pass/Fail Grading Option
MPAP follows NYU Steinhardt’s policy on the pass/fail grading option. Undergraduate MPAP students are permitted to request pass/fail grades for courses satisfying their CORE liberal arts requirements (with the exception of Expository Writing courses) so long as they meet the other requirements noted in Steinhardt’s policy. MPAP programs have differing policies regarding other classes part of a student’s Program of Study that may be eligible for the pass/fail grading option (such as electives) - students who have questions about pass/fail course eligibility must speak with their academic advisor for more information on program-specific policies.
Private Lessons
Students may find more information about private lessons via the Major Lesson Information Sheet and the Non-Major Lesson Information Sheet.
MPAP Majors may only take one secondary lesson per semester, and it must be for 2 credits if they are already taking a 3-credit lesson. Students may not take primary and secondary lessons through the Theory and Composition program in the same semester.
Non-Majors may register for only one private lesson course per semester. (This does not include Group Lessons). Non-majors who do not abide by this policy will be dropped from all private lessons.
Student Accessibility
New York University is committed to providing equal educational opportunity and participation for all students, and academic accommodations are available for qualified students who disclose their disability to the Moses Center. Students requesting academic accommodations are advised to reach out to the Moses Center for Student Accessibility as early as possible in the semester for assistance (telephone: 212-998-4980 / website: www.nyu.edu/csa / email: mosescsa@nyu.edu)
Study Away
MPAP majors who are interested in studying abroad may find more information here. Important dates for study abroad may be found here. NYU Global policies and procedures can be found here. Students seeking study away opportunities should also consult with their academic advisor for program-specific policies.
Studying away is a program requirement for undergraduate Music Technology students. Music Technology students who are requesting to waive this requirement due to personal, academic, or financial hardship must first meet with the academic advisor for Music Technology to discuss their rationale and to review resources that may be in place to address these concerns. Following this discussion, students must submit a written petition that clearly states the reasons for their request via email to Paul Geluso, program director for Music Technology, who will review and approve or deny the request.
Technology in the Classroom
Each instructor may decide the extent to which students in their classes may be permitted to use their mobile phones or laptops. Instructors must communicate this policy to students clearly, preferably in their syllabus, letting students know what they can and cannot use, and why.
Students who require accommodations to use technology in the classroom – for example, students with dyslexia, ADHD, or visual impairments who use computers to take notes and access cloud-based assistive technologies – may contact the Moses Center. Students requesting academic accommodations are advised to reach out to the Moses Center for Student Accessibility as early as possible in the semester for assistance (telephone: 212-998-4980 / website: www.nyu.edu/csa / email: mosescsa@nyu.edu).
Tutoring
Students enrolled in MPAP Theory and Aural Courses receive access to free tutoring for these courses. Students can also access tutoring services through the University Learning Center and the Steinhardt Writing Center for undergraduate and graduate students. Students are also encouraged to consult with their advisor regarding possible program-specific tutoring resources.
NYU Policies
University-wide policies can be found on the New York University Policy pages.
Steinhardt Academic Policies
Additional academic policies can be found the Steinhardt academic policies page.